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10 thoughts on “Hegemony and Revolution: Antonio Gramsci's Political and Cultural Theory

  1. says:

    Good god this book was tedious Walter Adamson is not a clear expositor of Gramsci s complex ideas, and his analysis of the straightforward ones is pedestrian He has a dislike for Lenin, whom he never really analyses in any depth, and gets wrong repeatedly At one point he misquotes Gramsci to further his case Gramsci says in the Prison Notebooks that the concept of hegemony originated with Lenin, but Adamson says the broadly cultural orientation implicit in hegemony as a form of rule, and the educational orientation implicit in it in opposition to economic corporative, owe a considerable debt to Croce and very little if anything to Lenin p 172 He cites SPN 55 6 fn5, and provides the following Gramsci quote Contemporaneously with Croce, the greatest modern theorist of the philosophy of praxis Lenin , on the terrain of political struggle and organization and with a political terminology, gave new weight in opposition to various economistic tendencies to the doctrine of hegemony as the complement to the theory of the state as force However, the quote on that page actually says, gave new weight in opposition to various economistic tendencies to the front of cultural struggle, and constructed the doctrine of hegemony as the complement to the theory of the state as force Clearly this vitiates Adamson s claim, so the omission is quite suspect.Generally, Adamson seems to prefer the earlier Marx of the Theses on Feuerbach to the later Marx of Capital, but seems to have a fairly weak grasp of both the latter he assimilates too easily to later Marxists like Plekhanov In general, he fails to assess the accuracy of Gramsci s interpretation of Marx, or his remarks about how to interpret a thinker This would ve been an interesting topic to pursue because Gramsci s interpretations of e.g Marx and Machiavelli are somewhat idiosyncratic He also never considers how Gramsci s political concepts might be related to, or grow out of, the ones Marx develops in his three major works on French politics I think there are definite affinities In general, he s quite bad at giving both sides of the debates Gramsci was in, which suggests his grounding in the literature of those with whom Gramsci was engaging is very weak His own position seems to lapse at times into a kind of vulgar sociological holism everything is related to everything else which effectively blocks doing the kind of causal analysis Gramsci is clearly interested in Finally, he claims to have discovered two different concepts of hegemony, and that nobody else has detected this But his claim is unconvincing He distinguishes a hegemony in contrast to domination, and b hegemonic in contrast to economic corporative In reality, these are not two concepts of hegemony Hegemony is a form of rule by a class calling a class hegemonic as opposed to economic corporative means it is a class that rules society as opposed to pursuing its own economic interests in a narrow corporate manner , and rules through hegemony It is akin to declaring to have discovered two concepts of anger because one can distinguish between anger itself and angry people That gives you a taste of how unsophisticated the analysis is in this book.


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Hegemony and Revolution: Antonio Gramsci's Political and Cultural Theory download Hegemony and Revolution: Antonio Gramsci's Political and Cultural Theory, read online Hegemony and Revolution: Antonio Gramsci's Political and Cultural Theory, kindle ebook Hegemony and Revolution: Antonio Gramsci's Political and Cultural Theory, Hegemony and Revolution: Antonio Gramsci's Political and Cultural Theory 9a8179879fd3 As A Result Of His Inquiry Into The Nature Of Class, Culture, And The State, Antonio Gramsci Became One Of The Most Influential Marxist Theorists Hegemony And Revolution Is The First Full Fledged Study Of Gramsci S Prison Notebooks In The Light Of His Pre Prison Career As A Socialist And Communist Militant And A Highly Original Marxist Intellectual Walter Adamson Shows How Gramsci S Concepts Of Revolution Grew Out Of His Experience With The Turin Worker Councils Of As Well As His Experience Combatting The Fascist MovementFor Gramsci, Revolution Meant The Steady Ascension Of A Mass Based, Educated, And Organized Collective Will, In Which The Final Seizure Of Power Would Be The Climax Of A Broader Educative Process Success Depended On Countering Not Just The Coercive Power Of The Existing Economic And Political Order But Also The Cultural Hegemony Of The State A Counter Hegemony For Gramsci Required The Leadership Of An Organized Political Party, But At Its Core Lay His Conviction That The Common People Were Capable Of Self Enlightenment And Could Produce An Alternative Conception Of The World That Challenged The Prevailing Hegemonic CultureAdamson Shows How These Ideas, Which Gramsci Developed Prior To His Imprisonment, Led Him To A Highly Original Concept Of Subaltern Class Movements That Cohere Not Just On The Basis Of Economic Interest But By Virtue Of Religious, Ideological, Regional, Folkloric, And Other Sorts Of Cultural Ties As Well These Ideas Of Gramsci Have Had Enormous Influence On A Wide Variety Of Subsequent Cultural Theories Including Postcolonialism And Foucault Style Analyses Of Discursive PracticesWinner Of The Society For Italian History S Howard Marraro Prize, Hegemony And Revolution Is An Essential Resource For Scholars Of The Humanities And Social SciencesWalter L Adamson Earned His PhD In The History Of Ideas From Brandeis University In He Taught At Whitman College And Then At Harvard University As A Mellon Fellow In The Humanities, After Which He Joined The Emory University Faculty In At Emory He Teaches A Variety Of Courses In Modern European Intellectual History And Italian History From The Risorgimento Forward, With Particular Attention To Fascism, Nationalism, And Imperialism He Is The Former Chair Of The Emory History Department Dr Adamson Has Authored A Number Of Books Including Marx And The Disillusionment Of Marxism The Award Winning Avant Garde Florence From Modernism To Fascism And Embattled Avant Gardes Modernism S Resistance To Commodity Culture In Europe